Home Artists and Audio Syncronisation Score  
Friday 29th AUGUST 2008
 
Mute Song, 1 Albion Place, London, W6 0QT. Email: info@mutesong.com Tel: +44 (0)20 3300 0000
Score
Simon Fisher Turner
Links
Credits
William Eggleston In The Real World (2005) Score for feature length documentary by Michael Almareyda.

Un Chant D'Amour (2004) New Score to a 1950 feature film by Jean Genet for BFI DVD.

Inertia (Short Film) (2004) Score for short film by Anne Campion.

I'll Sleep When I'm Dead (2004) Score for feature film by Mike Hodges.

Lava (2002) Score for feature film by Joe Tucker.

My Kingdom (2001) Score for feature film by Don Boyd.

Gangster No 1 (2000) Part score for feature film by Paul Mcguigan.

The Lost Days (1999) Score for feature film by Laura Waddington.

The Greeks (1999) Score for USA PBS television series.

Nature Boy (1999) Score for BBC television series.

Clare Dolan (1998) Score for feature film by Lodge Kerrigan.

Trance (1998) Score for feature film by Michael Almareyda.

Croupier (1997) Score for feature film by Mike Hodges.

Nadja (1995) Score for feature film by Michael Almareyda.

Loaded (1994) Score for feature film by Anne Campion.

Tour Of The Western Isles (1993) Score for BBC television series.

Blue (1993) Score for feature film by Derek Jarman.

Elenya (1992) Score for feature film by Steve Gough.

Edward II (1990) Score for feature film by Derek Jarman.

Melancholia  (1989) Score for feature film by Andi Eagle.

Last Of England (1987) Score for feature film by Derek Jarman.
 
Caravaggio (1986) Score for feature film by Derek Jarman.

Sloane Square (1981) Score for short film by Derek Jarman.
Simon Fisher Turner
  Simon Fisher Turner is a composer and recording artist based in London, England. Across the six soundtracks he created for Derek Jarman, the three later solo albums for Mute and the vast miscellany of other projects, from art installations to music for film and TV, Simon has demonstrated unprecedented sonic valour.  Possibly the least didactic musician on the planet, he asks questions and opens doors at every turn.  With decades worth of hands on experience to draw from, SFT is almost unique in having gone from trite pop to extreme sound freakery and out the other side into a mesmerising field of his own.